Posts Tagged ‘first’
You often hear writers say their story ideas come from the strangest places.
I’m not so sure that’s true. Ideas are all around us … all we have to do is open our eyes (and ears) to the possibilities.
The initial idea for “Blind Date Bride” came from a news story I heard on the radio back when I still lived in Logansport, Indiana. I first wrote its opening scene as a one-act play. I’m not sure if it ever got produced by the Logansport theater company, because I moved away before the one-act festival.
But once the idea lodged itself in my brain, the story was too good to ignore. I fleshed it out beyond the church basement, where the hero and heroine argue with their respective friends (who entered them in a wedding contest even though neither of them were in the market for a spouse ‚ even a temporary one). I put them (reluctantly) in the same apartment for 90 days, fully expecting some hairy situations to come up. I gave them pasts and a future (together).
My current WIP, “Trouble in Paradise?”, features the best friends from Kari & Damien’s story. They actually started dating at Kari & Damien’s fake wedding — and got more action on the wedding night than our hapless bride and groom. When one of the first people to read “Blind Date Bride” said, “Bethany and Cody should have their own story”, my imagination was off and running.
My first manuscript, “Operation Snag Mike Brad,” was inspired by my crush on a coworker (who became the basis for pseudo-playboy Mike James). Cassie & Dustin’s and Bree & Mike’s stories grew from that first MS, though they’ve both taken on lives of their own beyond the original story (at least I hope they have).
“Operation Snag Mike Brad” also inspired the story I plan to write for this year’s NaNoWriMo. It’s the story of Brad’s brother, Kenny, who turns up at Erin’s first Kingston family dinner with a fake fiancee in tow. (The fake-out’s his desperate attempt to get his matchmaking Ma off his back.)
I honestly can’t remember where the ideas for Meg & Matt’s or Drew & Lainy’s stories came from. (The character of Drew is loosely based on another guy I once worked with, so he probably gave me a germ of inspiration.) His story is set in a fictional high school on the other side of the (also fictional) major town in my first three manuscripts. Meg & Matt’s story is the only one set where I live now, Arizona.
On the drive through New Mexico while I was on my summer vacation I had an idea from a road sign, compounded by something I saw on the side of the road a few miles later. It’s still a nebulous, unformed idea, but I jotted it down. Maybe it’ll develop into something more … and maybe not. But at least it’s a possibility.
Heck, I even had an idea when I heard Gary Coleman had died. I haven’t done a lot of development on it, either … but it kind of fits with my other TV-related stories.
OK … that’s a little weird. Maybe story ideas DO come from the strangest places, after all.
Where’s the weirdest place you’ve gotten a story idea?
After reading my last blog entry, one of my friends from college messaged me with this bit of inspiration about giving characters reasons to love one another:
Love isn’t only about the hot sex – it’s about friendship. Cuz when the hot sex goes away (old age, car accident, ED), there must still be something there between them.”
Thanks to the part about ED, it cracked me up … but it also rang true.
I think, for the most part, my characters ARE friends first (well, except for Cassie and Dustin. They hate — and annoy — each other at first sight … and even when they’re totally in love, they still want to kill each other).
Brad and Erin start (before my book begins) as reporter-source; Bree and Mike are friends/coworkers (even though she’s supremely hot for his supremely HOT bod).
As for Kari and Damien, they start out as strangers who are trying to become friends (and lovers) despite the fact that they find themselves hitched.
I’m looking forward to my NARWA meeting Saturday (really later today, I guess — I really need to get some sleep). We’re doing synopsis-writing and characterization. The timing couldn’t be better, since I’m at a point where I’m thinking about the synopsis for “Blind Date Bride.”
Over at the Ruby Slippered Sisterhood, my writing blog home away from home, I read a fantastic post the other day. It was all about what editors want from a category romance.
After reading it, I wonder if Brad and Erin’s story is as ready as I thought. I break nearly all of the guidelines:
- Stir internal conflict on EVERY page.
- Minimize secondary characters.
- Let your main characters be active.
- Get them together.
- Keep them together.
- Give them reasons to love each other.
Hmm. I already know the story is a little thin on conflict. For the first several chapters, the main one is Erin thinks she wants Mike to notice her but she’s starting to like Brad, too.
My secondary characters, including Mike, all play what may be too large a role. Not surprising, considering they each have their own story. Brad and Erin’s is the first in a series.
Are they active? I don’t even know how to start thinking about that. That means the answer is probably a big, fat “NO.”
As for getting them together, Brad and Erin don’t have a scene together until page 12 — and that’s after Erin has her first scene with Mike. And keeping them together? Well, they go out on several dates (including an ill-fated trip to Chicago for a concert), but there are plenty of scenes in between with one or the other talking to someone else.
Do I give them reasons to love one another? Well, they’re both good people, and fine upstanding citizens of these United States. And it goes without saying that they’re beautiful (most heroes and heroines are, after all). He likes her sense of humor and honesty; she’s attracted to his body and soul.
Hmm. That may also be a little on the thin side. I’m beginning to wonder if this book will ever sell without yet another overhaul … Ugh. That’s a horrible thought, not least of all because I’m way too invested in these characters. Of all my characters, Erin is most like me (education reporter with no luck in love — all me when I wrote the thing).
On the plus side, I thought of a way to make Meg & Matt’s story, “Beauty and the Ballplayer” more closely adhere to the guidelines I just discovered. I’m going to lop off the first several pages (which I’ve decided are all backstory, despite the fact that I love the first line:
Meg looked at the pregnancy test stick in her hand, hoping like hell she misinterpreted it.
The rest of the first few pages have her thinking about how, at 32, she’s too old to be pregnant and alone, and about how her ex ran off to Vegas to become a professional poker player.
I think I’ll start with her and Matt meeting at the bar instead.
Sadly, not much writing has happened since Wednesday (and that writing didn’t count toward my Word Count Countdown, because it wasn’t actually writing on any of my WIPs).
I’m at a certain point: Finished MS but no query or synopsis — and since our NARWA meeting next Saturday is on the dreaded synopsis, I’m kind of trying to hold out before working on one of those.
The query and synopsis on “Blind Date Bride” are mostly finished, but I’m still a little scared to send that one out there. I did get a rave review from one of my NARWA sisters, who described it as “delicious.”
With a review like that, why am I not sure? It’s probably plain old fear of rejection — again. I’ve already gotten tons of rejections on Brad & Erin’s story, so why would I expect this one to do better?
Well, it was written much later. Brad & Erin’s MS was my first, and even though I’ve edited it so much that parts hardly resemble the original draft, it could be that it’s just not good enough. Pat said she can tell a huge difference between that one and “Blind Date Bride,” that my writing has grown and changed.
So maybe it’s time to bite the bullet, finish the query/synopsis and send it out there. It’ll immediately expand my agent pool, since this one’s a single title instead of category.