Posts Tagged ‘synopsis’
It’s not Monday, but I finally got around to doing what I said I would: I submitted two queries on “Beauty and the Ballplayer.”
Now, I wait … and continue to work on perfecting the GH entries … and write some more on Bethany & Cody’s story.
For some reason, I’m finding it hard to focus just on the Golden Heart entries. Seems that, this year, I don’t have nearly as much work to do. Last year, I had to do some substantial editing and rewriting on Brad & Erin’s tale.
This time around, I have decent synopses written for both my entries, and the entries themselves are in pretty good shape.
Or maybe I’m just getting too cocky … 😉
Thanks to one of my NARWA sisters, I found another contest to enter … a chance to win a pitch with a Harlequin American editor. Since I’ve long envisioned “Operation Snag Mike Brad” as an American Romance, I decided to go for it.
I can’t say I always envisioned it in that line. When I first wrote it, I had the Love and Laughter or Silhouette Yours Truly lines in mind. But since those are both defunct (sadly, if you ask me), I switched to AR.
The entry requires a one-page synopsis — something I’m getting better at writing, I think — and a logline.
Having never heard of a logline before, I did a little poking around at eharlequin.com. Apparently it’s also known as a “concept line” and is designed to give the editor a broad picture of your story.
One way to write one is to start with a well-known storyline, then reveal the twist that makes your story stand out. You can also use a familiar book or movie as your starting point, so you come up with something like “Elle Woods meets the Terminator” or “Beauty & the Beast set in outer space.”
The advice is straightforward enough, but I’m finding myself confused. Maybe it’s just because my MS is a big, confused mess.
I hope not.
Anyway, here’s the logline I’ve come up with so far:
“Operation Snag Mike Brad” blends “How to Lose a Guy in Ten Days” and “Some Kind of Wonderful” — but in reverse.
In “How to Lose a Guy in Ten Days” you have a reporter working on a story and using outrageous advice to get dumped. (Erin is a reporter following a book’s outrageous advice to snag “the man of her dreams” while she’s chasing a big story that’ll get her out of small-town Indiana once and for all.)
In “Some Kind of Wonderful,” you have a guy who thinks he’s in love with one girl but ends up realizing he’s in love with his best friend. (Erin thinks she’s in love with Mike but ends up realizing he’s more like her best friend and she’s really in love with with Brad instead.)
So both flicks apply — at least loosely. The “reverse” part is the whole using the book to snag the guy (not lose him) and the fact that it’s the girl, not the guy doing the falling.
I’m still not wild about it. At least I have a few more days to play.
Five queries. Two same-day rejections. I appreciate the prompt replies.
I am a little discouraged, but not giving up. I believe in “Blind Date Bride.” And, as “they” say … Rome wasn’t built in a day. I’m going to find an agent who loves “Blind Date Bride” and wants to represent it (and me).
I just hope it doesn’t take forever …
Forgive me for not blogging lately … It’s not that I haven’t been working, let me assure you.
Most of my long weekend was spent on my new WIP, which is now in Chapter 3. Did I mention that there might be something to writing a synopsis first? 😉 I thought a lot about my plot before I started and came up with a summary of about three pages.
I also took some time to perfect my query letter and synopsis. This morning, I sent out a handful of queries … including one to my Dream Agent. I just wish that “I want to puke” feeling would go away. I always feel that way when I’m sending out queries: excited, but slightly nauseous.
Anyone else feel the same way?
On another note, I need to get busy writing a synopsis for “Beauty and the Ballplayer.” That was the other goal I said I’d accomplish before the next NARWA meeting — and since it talks so long for me to do one of those things after the fact, I’d better get started.